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Funkadelic is the debut album by the American funk band Funkadelic, released in 1970 on Westbound Records. WB 1001; Vinyl LP). Subterranean Bass Vocals, Supercool and Stinky Fingers: Lead Vocals: George Clinton & Eddie Hazel, Lead Guitars and Solos: Eddie Hazel & Ron Bykowski. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. https://www.rollingstone.com/artists/funkadelic/albums/album/315049/review/5940649/standing_on_the_verge_of_getting_it_on, http://www.acclaimedmusic.net/Current/A2687.htm, "Funkadelic - Standing on the Verge of Getting It On (album review 2) - Sputnikmusic", "Revisiting Funkadelic's 'Standing On The Verge Of Getting It On' (1974) | Retrospective Tribute", "Album Search for "standing on the verge of getting it on, Free Your Mind... and Your Ass Will Follow, Live: Meadowbrook, Rochester, Michigan – 12th September 1971, Motor City Madness: The Ultimate Funkadelic Westbound Compilation, The Whole Funk & Nothing but the Funk: Definitive Funkadelic 1976–1981, The Mothership Connection – Live from Houston, Parliament-Funkadelic: One Nation Under a Groove, George Clinton: The Mothership Connection, “Jimmy’s Got a Little Bit of Bitch in Him”. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.

Standing On The Verge Of Getting It On Written-By – G. Cook* 5:07: 6: Jimmy's Got A Little Bit Of Bitch In Him Written-By – G. Cook* 2:30: 7: Good Thoughts, Bad Thoughts Written-By – G. Cook* 12:17 Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records.

From Standing on the Verge of Getting It On album (1975) The Song is about to keep an open mind when listening to Funkadelic or music in general. Standing on the verge of gettin' it on Really gettin' it on People, what you doing? Westbound Records owner Armen Boladian had decided to record the show without the band's prior notice, for a possible official live album release. referencing Standing On The Verge Of Getting It On, LP, Album, RE, Gat, SEWA 040 Astounding Eddie Hazel-dominated rock-heavy driving groove of an album with classic sleeve art by Pedro Bell.

It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross, Billy Nelson, and Tiki Fulwood left the band for various reasons. Additional taxes may apply.

While not nearly as cosmic as it pretends to be, Standing on the Verge of Getting It On at least shows a backhanded sense of humor. And at the center of it all is the title song—quintessential, classic Funkadelic in overdrive, inviting spiritual transcendence through funky communion. Standing on the Verge of Getting It On is the sixth studio album by Funkadelic, released on Westbound Records, released in July of 1974. Released 10 July 1974 on Westbound (catalog no.

Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976 on the Westbound record label.

Standing On the Verge of Getting It On (Single Edit) 9. There's a problem loading this menu right now. It appears as the lead track on their 1971 album of the same name. That track is found on Westbound compilation CD Music For Your Mother: Funkadelic 45s as well as the recent CD reissue of the original album. The soundboard recording resided with engineer Ed Wolfram until being unearthed in 1996. The guitar solo and jam that conclude this song were continued in the studio, and ended up as a B-side titled "Vital Juices," featuring guitar work by Eddie Hazel and Ron Bykowski.

"Maggot Brain" is a song by the band Funkadelic. Boladian then decided not to go forward with the project.

Top subscription boxes – right to your door, Standing on the Verge of Getting It On (Live), © 1996-2020, Amazon.com, Inc. or its affiliates.

The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. The album contains the entire live performance of September 12, 1971 minus approximately three minutes of between-song chatter. Lotsa straight guitar shredding.

Let's Take It to the Stage is the seventh album by American funk/soul/rock band Funkadelic. Parliament-Funkadelic is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the individual bands Parliament and Funkadelic, both active since the 1960s.

Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. In This Article: Funkadelic Want more Rolling Stone? It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978). Editors' Notes Watch the video for Standing on the Verge of Getting It On from Funkadelic's Standing on the Verge of Getting It On for free, and see the artwork, lyrics and similar artists. Tenor Vocals, Congas and Suave Personality: A Prototype Werewolf; Berserker Octave Vocals: World's Only Black Leprechaun; Bass & Vocals: Rhythm/Lead Guitar, Doowop Vocals, Sinister Grin: Supreme Maggot Minister of Funkadelia; Vocals, Maniac Froth and Spit; Behaviour Illegal In Several States: Percussion & Vocals; Equipped with stereo armpits: Rhythm/Lead Guitar; polyester soul-powered token white devil: Ron Bykowski.

The Best of the Early Years, Volume One compiles material from Funkadelic's tenure at Westbound from 1969 to 1974. All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. Two Parliament tunes get blown up with overdubs and ensemble casts: blistering funk-rock anthem "Red Hot Momma" and slow-burning torch song "I'll Stay." (Remixes) - EP, Biffy Clyro: Songs to Make Toes Twitch and Minds Itch, Express Yourself: The Best of Charles Wright and the Watts 103rd Street Rhythm Band.

The album was released on July 29, 1977. It was Hazel's only album until his death in 1992, when it was followed by several posthumous releases.

The original vinyl release contained a glossy lyric sheet.

The tracks were outtakes recorded around the same time as Hardcore Jollies and given to Westbound by George Clinton as a contractual obligation.

referencing Standing On The Verge Of Getting It On, LP, Album, RE, Gat, SEWA 040 Astounding Eddie Hazel-dominated rock-heavy driving groove of an album with classic sleeve art by Pedro Bell. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.

It was released on Westbound in 1977 while the label was distributed by Atlantic Records. Sold by Amazon.com Services LLC. Funkadelic : "Live - Meadowbrook, rochester, Michigan, 12th September 1971" (1971) Funkadelic : "America eats its young" (1972) Funkadelic : "Cosmic slop" (1973) Funkadelic : "Standing on the verge on getting on" (1974) Parliament : "Up for the down stroke" (1974) Parliament : "Chocolate city" (1975) Funkadelic : "Let's take it to the stage" (1975) America Eats Its Young is the fourth album by Funkadelic, released in May of 1972. Edward Earl Hazel was an American guitarist and singer in early funk music in the United States who played lead guitar with Parliament-Funkadelic.

Genres: Funk Rock, P-Funk. Game, Dames and Guitar Thangs is the debut album by Parliament-Funkadelic lead guitarist Eddie Hazel.

Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971.

The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Billy Bass Nelson, and Eddie Hazel. Stream ad-free or purchase CD's and MP3s now on Amazon.com.

... Live: Detroit 1977 2018 Live: Madison Square Garden, 1977 2018 Featured On. Funkadelic continued their mid-career brilliance with their sixth album, balancing the expansive jams of their early work with concise songwriting courtesy of Eddie Hazel and George Clinton. [8] Hazel co-wrote all of the album's songs, although the songwriting credits were mostly in the name of Grace Cook, Hazel's mother (a gambit by Hazel to avoid contractual difficulties with the publishing rights).

Hardcore Jollies is the ninth studio album by the funk band Funkadelic, released on October 29, 1976 by Warner Bros. Records, their first album to be issued on a major label. It is dedicated to "the guitar players of the world."

It also features the Plainfield-based band U.S.(United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks.


Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Editors’ Notes Not quite as schizophrenic as its predecessors, Standing On the Verge of Getting It On returns Funkadelic to the searing hard-rock assault of Maggot Brain.Opening with “Red Hot Momma,” a song that blends Led Zeppelin’s wattage with James Brown’s rhythms, the album surges from the … Charles Wright & The Watts 103rd Street Rhythm Band, Ain't That Funkin' Kinda Hard on You? Live...Capitol Theatre 1978 is a three-CD live album by the American funk band Parliament-Funkadelic. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
It was actually released after Funkadelic had left the label, in order to capitalize on Funkadelic's new-found fame. A somber, blues-soaked sequel to “Maggot Brain” is delivered via "Good Thoughts, Bad Thoughts." The liner notes feature a transcription of a December 7, 1978 article about Parliament-Funkadelic from Jet magazine. Funkadelic Live: Meadowbrook, Rochester, Michigan 12th September 1971 is a 1996 live release featuring the only official in-concert recording from early in the career of Funkadelic. Standing on the verge of gettin' it on Really gettin' it on People, what you doing? Standing on the verge of gettin' it on Really gettin' it on Song out tonight Oh, my soul is out tonight There's a song out …

The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would later appear on the cover of the album Standing On The Verge Of Getting It On.

The compilation first appeared overseas in 2003, and was released in the United States in 2006. Your recently viewed items and featured recommendations, Select the department you want to search in. The CD features the band performing at the Capitol Theatre in Passaic, New Jersey, on November 6, 1978, during their "One Nation/Anti-Tour".

The Best of the Early Years, Volume 1 is a compilation album by the American Funk band Funkadelic. The title of this song has been spelled in three different ways on various Parliaments, Funkadelic, and Parliament releases that have featured a version of the song, with the final word being spelled as "Mama," "Mamma," or "Momma.". This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. In 2015, Rolling Stone ranked Hazel at no. Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. It was released in April 1975 on Westbound Records.

7 tracks (37:29).